The final movement of Beethoven’s Op.59 No. 1, in obedience to the request of the commissioner (Count Rasumovsky, the Russian Ambassador to the imperial court), uses a Russian folksong as its first subject. Beethoven’s transformation of this melody from a sad song about a soldier prematurely aged by the rigours of war into a rather sprightly first subject reminded me of Shostakovich’s final response to the rigours of the Second World War: his 9th symphony. Here’s the first movement in a 1945 performance by the Leningrad (then!) Philharmonic Orchestra conducted by Yevgeny Mravinsky – the orchestra and conductor who gave the symphony its premiere in that year.
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Any copyrighted material on these pages is included as “fair use”, for the purpose of study, and critical analysis only, and will be removed at the request of the copyright owner(s).
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